The A and O: white balance in artificial light shots
The biggest Problem when shooting in areas with artificial light the white balance. You are watching the photos have stitches this color, the white does not look white. With the help of a white balance fix this Problem.
- About the presets of the camera, various white balance modes: you can choose for indoor photography between "art light" and "fluorescent". The camera reduces the amount of Red and tried the color and stitch counter.
- The manual white balance you have the ability to balance self-regulate. This one photographed in advance a white surface that fills the entire neck. In the camera, select manual white balance in this photo as a reference. As a result, the camera sets this photo as "white" and takes it as the basis for the next photos.
- If you experiment a bit with the white balance, you can bring targeted color cast to the image, and so whimsical shots make.
Balance in artificial light white
Fully automatic to avoid and ISO note
When Using the fully automatic the camera adjusts the settings for ISO, aperture, exposure, etc. automatically. This is for beginners may be obvious, however, is measured in artificial light recordings are often wrong. Thus, the exposure time is set too short and the ISO is too high. Make sure that you set the program mode and the ISO-value as small as possible (under 800) to hold.
Should you already have images with color casts, we show you how you can with Photoshop, and remove color casts can.
